Open Call is FREE and PUBLIC
23-27 November 2021
experimental space to imagine, build, share, and transform knowledge by any means necessary
honouring multiple roots/routes of theatre and performance studies by intervening in present practices, and visioning the future of knowledge-sharing inscribed in justice and multiplicity.
Open Call is part of Studies in Theatre and Performance journal and the events are generously funded by SCUDD
Overall 45 digital audience members joined across the week and 14 artworker-researchers shared their work.
full programme below.
Event Information:
This event will be online with automated captioning
Limited spaces available, please sign up using Eventbrite
Zero tolerance for racism, colourism, ableism, sexism, misogyny, classism, queerphobia, transphobia, homophobia ... we are building a soft space here!
If you would like to discuss access requirements please do get in touch with artworker melissandre varin vmelissandre@gmail.com
International Start Times: 13:00 Fort-de-France — 17:00 London — 00:00 Bangkok — 19:00 Cape Town — 04:00 Sydney — 18:00 Berlin — 11:00 Mexico City
Duration: 2 hours, 20 minutes
Day 1: Tuesday, 23 November 2021
International Start Times: 13:00 Fort-de-France — 17:00 London — 00:00 Bangkok — 19:00 Cape Town — 04:00 Sydney — 18:00 Berlin — 11:00 Mexico City
Duration: 2 hours
Day 2: Wednesday, 24 November 2021
Care-as-Commons Session #12
UK time: 17:00 - 19:00
melissandre varin and Carmen Wong will co-facilitate a return to Fred Moten and Stefano Harney's The Undercommons, with a specific look at Chapter 2: The University & The Undercommons (pp22-43). We will explore the ideas of fugitivity and rupture, in our (criminal) engagement with universities.
Open-access TEXT AVAILABLE HERE.
There's no need to read in advance of the gathering as we'll take turns reading aloud during the session, with interruptive discussions, and lots of questioning.
International Start Times: 06:00 Fort-de-France — 10:00 London — 17:00 Bangkok — 12:00 Cape Town — 21:00 Sydney — 11:00 Berlin — 04:00 Mexico City
Duration: 8 hours
Day 3: Friday, 26 November 2021
Celebration Zoom
UK time: 10:00 - 11:00
Contributors to the second wave of Open Call join in for a celebratory moment sharing insights on their contributions and meeting each other for a public hot-drink zoom.
Come along to celebrate the existence and artistry of Elly Clarke, Clareese Hill, Seán Elder, Nomi Blum, Stelly G, and Lou Sarabadzic
UK time: 11:30 - 13:00
a conversation on HE between Camille Barton and Dr. Sharanya Murali
Camille Barton is an interdisciplinary artist, educator, DJ and embodiment researcher, who uses afrofuturism to imagine creative interventions towards systems change. Their art practice weaves dance, ritual, film, sonic healing and cultural production. Camille is the artistic director and main booker for Emergent Bass, an event series celebrating the Afro Diaspora influence in electronic music and underground club culture. They also serve ritual bass as DJ AfroOankali, playing a hypnotic blend of low end frequencies and polyrhythms which honours the healing potential of bass music.
In 2020 the Amsterdam based artist directed The Grief Portal, a sci-fi inspired short film, commissioned by Performing Borders Live and Counterpoints Arts, exploring how grieving can be generative. Camille's work was also featured in the VPRO documentary, The Post Racist Planet.
Camille is the head of Ecologies of Transformation (2021 - 2023), a temporary masters programme at Sandberg Institute, exploring how art making and embodiment can facilitate social change. Camille also works as an advisor for MAPS, ensuring that psychedelic assisted therapies will be accessible to global majority communities (POC) most harmed by the war on drugs.
Dr Sharanya Murali is Lecturer in Theatre at Brunel University London. Her research interests centre on the gendered technologies of labour and ingestion in contemporary Indian photo-performance art. Her work has most recently appeared in Theatre Research International, and Performance Research. She is part of the editorial team of Contemporary Theatre Review’s online platform Interventions.
UK time: 17:00 - 18:00
film and Q&A with jackï job
And Then.... is a cinematic performance in a dance language inspired by the praying mantis.
The dance is performed in the signature butoh-esque style of jackï job. She is accompanied on piano by José Dias. Together, they create synergy through difference and will take you on a journey of desire and compassion, revealing a nuanced world of intimacy and vulnerability. And Then.... the film, will be released on 26th November at 5pm. After the screening, a live
conversation is planned where you can respond to the work. The film holds several processual, methodological and philosophical aspects that will be of interest to researchers, students and artists. At the same time, the performance resonates with those compelled to find meaning in the less obvious, smaller parts of our world. You can choose to participate and comment or travel along with us and listen. The conversation will be in spontaneous response and about whatever inspires - love, life, freedom, synergy, sexuality, magic, the weather…
And Then....the video trailer below is just a snippet of the performance. The full film is coming soon…. Watch the trailer!
International Start Times: 12:30 Fort-de-France — 16:30 London — 23:30 Bangkok — 18:30 Cape Town — 03:30 Sydney — 17:30 Berlin — 10:30 Mexico City
Duration: 1 hour
Day 4: Saturday, 27 November 2021
UK time: 16:30 - 17:30
Abhijan Toto and Raju Rage in conversation
Abhijan Toto is a curator and writer, interested in ecosophy, indisciplinary research, labour and finance, based in Bangkok, Thailand and Seoul, South Korea. In 2018, he co-founded the Forest Curriculum with Pujita Guha, a multi-platform project for research and mutual co-learning around the naturecultures of the forested belts of South and Southeast Asia. He is the Artistic Director of A House In Many Parts, a multi-disciplinary festival in Bangkok, supported by the Goethe-Institut and French Embassy, which he founded in 2020. He is also curator, with Mari Spirito of A Few In Many Places (2021), Seoul, Bangkok, Istanbul, New York, San Juan, Guatemala City, a platform for international collaboration and collective practice, conceived by Protocinema. He has previously worked with the Dhaka Art Summit, Bangladesh; Bellas Artes Projects, Manila and Bataan, the Philippines; Council, Paris; and Asia Art Archive. Selected recent exhibitions include In The Forest, Even The Air Breathes, GAMeC, Bergamo, Italy (2020); Minor Infelicities, Ujeongkuk, Seoul, South Korea (2020); Southern Constellations, Museum of Modern Art, Ljubljana (2019); The Exhaustion Project: There Is Still Work To Be Done, Haus der Kulturen der Welt, Berlin (2018). He has participated in residencies at Museum of Modern and Contemporary Art, Seoul; HSLU-University of Applied Arts and Sciences, Luzern, Switzerland and guest lectured at the Royal Danish Academy of Fine Arts, Copenhagen; the Sandberg Instituut, Amsterdam, Chulalongkorn University, Bangkok; Monash University, Melbourne among others and is part of the steering committee of the Artist-for-Artist Program. He is a contributor to collective research initiatives such as ‘A Glossary of Common Knowledge’, MG+MSUM (2021) and ‘Under the Mango Tree’, the slow institute (2020). He was awarded the 2019 Premio Lorenzo Bonaldi X, at the GAMeC, Bergamo.
Raju Rage is proactive about using art, education and activism to forge creative survival. Born in Nairobi Kenya, raised in London and living/working in Mexico City, they explore the spaces and relationships between dis/connected bodies, theory and practice, text and the body and aesthetics and the political substance. Their current interests are around sustainability, economies, care, and resistance. They are a member of Collective Creativity arts collective and are a creative educator and independent scholar with an interest in radical pedagogy.
Raju has a theirstory in activism, self and collective organised queer/ transgender/ people of colour movements and creative projects in London and beyond from which their politics and works draw on and from.
Raju has trained as a pastry chef and baker, worked in several community kitchens and been part of a baker’s collective.